Essays, studies in architecture, not from the point of view of the
technical processes, but the philosophical thought, the social
impulses behind architectural developments. Many of Summerson's
theories will provide controversy in his profession. His attitude
in relation to the Po??pellan and classical design as basic
influence in Gothic; his attitudes on fundamental values as a
ground for restoration and preservation of antiquities; his
characterisation of the "ghastly wilderness" of the last decade;
his assault on various groups of ideas rather generally
accepted-all of these issues will stir the placid waters. He has
chosen in other essays leading lights of architecture, - Alberti,
Colonna, Wren, John Wood, J.M. Gandy, Viollet-le-Duo, William
Butterfield-and viewed them through anything but orthodox lenses.
And he ends with Le Corbusier, and his "witty, subli??-nonsensical
approach to architecture". (Kirkus Reviews)
Brilliantly written essays on the aesthetic principles and enduring motives of architecture. A classic of architectural history and theory,
Heavenly Mansions interprets architecture as a reflection of the age in which it flowers, and traces the alternating themes of fantasy and functionalism as exemplified in various styles and in the works of a number of influential men, including Wren, Viollet-le-Duc, William Butterfield, and Le Corbusier. Succinctly summarizing 800 years of viewpoints about architecture, it ranges from Gothic architecture to the Renaissance to the influence of modern abstract art on twentieth-century architecture.
- "Each essay is a voyage of discovery. What is so interesting and what makes Mr. Summerson the architectural critic of his generation . . . is [an] aversion to dogma. . . . It is supremely well worth reading."—Spectator
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