Since its release, Annie Hall has established itself as a key film
for Woody Allen’s career and the history of romantic comedy more
generally. At the 1978 Academy Awards, it won Oscars for Best Film,
Best Director, Best Screenplay, and Best Actress and is regularly
cited as one of the greatest film comedies ever released, credited
with influencing directors such as Wes Anderson, Noah Baumbach,
Richard Linklater, Greta Gerwig and Desiree Akhavan. This lively
collection brings a new ethical and philosophical perspective to
bear on Allen’s work quite different from previous generations of
scholars. At the same time as exploring the film’s continuing
influence on contemporary cinema, this book’s contributors engage
explicitly and implicitly with ongoing debates about Allen’s
cinematic output following the renewal of accusations against Allen
by his adopted daughter Dylan Farrow in 2014 and 2018. The book is
alive to debates within film studies about the limits of auteur
theory and the role of the spectator.
General
Imprint: |
Bloomsbury Academic USA
|
Country of origin: |
United States |
Release date: |
September 2023 |
Editors: |
Jonathan Ellis
(Reader in American Literature)
• Ana María Sánchez-Arce
(Senior Lecturer)
|
Dimensions: |
229 x 152 x 25mm (L x W x T) |
Format: |
Hardcover - Cloth over boards / With dust jacket
|
Pages: |
272 |
ISBN-13: |
978-1-5013-5849-4 |
Categories: |
Books
|
LSN: |
1-5013-5849-9 |
Barcode: |
9781501358494 |
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