Filmmaker Bill Forsyth is one of the most important and fondly
regarded of all living Scottish artists. His filmmaking career,
beginning with That Sinking Feeling (1979), paved the way for the
emergence of an indigenous Scottish cinema. It also established
Forsyth as one of the most distinctive and original voices in late
twentieth-century European film. This book offers the first
integrated and comprehensive study of the director's complete
oeuvre. Through extended textual analysis and contextual discussion
of each of Forsyth's eight features, it traces the key formal and
thematic characteristics of a remarkable career, one which
encompasses both three-figure production budgets in Glasgow and
multi-million-dollar adventures in the heart of Hollywood. The book
also uses Forsyth's films to explore the diverse range of film
industrial contexts the director has worked within. Most
importantly, it sheds light upon the hitherto under-documented
zero-budget travails of 1970s Scotland and inflated expectations of
early-1980s British film.
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