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The Jazz Republic - Music, Race, and American Culture in Weimar Germany (Paperback)
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The Jazz Republic - Music, Race, and American Culture in Weimar Germany (Paperback)
Series: Social History, Popular Culture, and Politics in Germany
Expected to ship within 12 - 17 working days
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The Jazz Republic examines jazz music and the jazz artists who
shaped Germany's exposure to this African American art form from
1919 through 1933. Jonathan O. Wipplinger explores the history of
jazz in Germany as well as the roles that music, race (especially
Blackness), and America played in German culture and follows the
debate over jazz through the fourteen years of Germany's first
democracy. He explores visiting jazz musicians including the
African American Sam Wooding and the white American Paul Whiteman
and how their performances were received by German critics and
artists. The Jazz Republic also engages with the meaning of jazz in
debates over changing gender norms and jazz's status between
paradigms of high and low culture. By looking at German
translations of Langston Hughes's poetry, as well as Theodor W.
Adorno's controversial rejection of jazz in light of racial
persecution, Wipplinger examines how jazz came to be part of German
cultural production more broadly in both the US and Germany, in the
early 1930s. Using a wide array of sources from newspapers,
modernist and popular journals, as well as items from the music
press, this work intervenes in the debate over the German encounter
with jazz by arguing that the music was no mere "symbol" of
Weimar's modernism and modernity. Rather than reflecting
intra-German and/or European debates, it suggests that jazz and its
practitioners, African American, white American, Afro-European,
German and otherwise, shaped Weimar culture in a central way.
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