1) The contingencies and complexity of social engagement and
activism as they constitute a turn toward ethics is the central
focus 2) Readers are stimulated to trace ethical themes as they
resonate across multiple chapters, emerging and conflicting in
widely contrasting social situations, 3) Presents the first
substantial body of ideas about where ethnomusicology currently
stands as a discipline in relation to ethical concerns, how it got
there, and, most importantly, where it needs to go in the years
directly ahead.
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