The biblical apocalyptic books of Daniel and Revelation are, for
better or worse, polarizing. Interpreters have long read and
searched these books for clues about how their worlds will "end,"
which each new interpreter promising to have "unlocked" how Daniel
and Revelation work together to uncover a divine plan for prophetic
fulfillment. Redding uses the Vision of the Fourth Beast from
Daniel 7 as a case study to consider how interpretations of texts
take on lives of their own, eventually wedding interpretation with
text and prompting the question: what even is a text? Is it what is
on the page, something interpreters put there, or a combination of
both? Starting with the literature of the Levant, this work traces
the use of motifs, images, and themes through Daniel, Revelation,
and into pre-Enlightenment Christian thinkers to consider
hermeneutical trajectories that shaped (and continue to shape) how
modern readers engage biblical apocalyptic literature.
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