Site Unscene: The Offstage in English Renaissance Drama explores
the key role of dramatic episodes that occur offstage and beyond
the knowledge-generating faculty of playgoers’ sight. Does
Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth
murder Duncan in his sleep? Site Unscene considers how the
drama’s nonvisible and eccentric elements embellish, alter, and
subvert visible action on the stage. Jonathan Walker demonstrates
that by removing scenes from visible performance, playwrights take
up the nondramatic mode of storytelling in order to transcend the
limits of the stage. Through this technique, they present dramatic
action from the subjective, self-interested, and idiosyncratic
perspectives of individual characters. By recovering these offstage
elements, Walker reveals the pervasive and formative dynamic
between the onstage and offstage and between the seen and unseen in
Renaissance drama. Examining premodern dramatic theory, Renaissance
plays, period amphitheaters, and material texts, this
interdisciplinary work considers woodcuts, engravings, archaeology,
architecture, rhetoric, the history of the book, as well as plays
by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among
others. It addresses readers engaged in literary criticism,
dramatic theory, theater history, and textual studies.
General
| Imprint: |
Northwestern University Press
|
| Country of origin: |
United States |
| Release date: |
May 2017 |
| Authors: |
Jonathan Walker
|
| Dimensions: |
229 x 152mm (L x W) |
| Format: |
Hardcover - Cloth over boards
|
| Pages: |
200 |
| ISBN-13: |
978-0-8101-3502-4 |
| Categories: |
Books >
Arts & Architecture >
General
Promotions
|
| LSN: |
0-8101-3502-7 |
| Barcode: |
9780810135024 |
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