Books > Arts & Architecture > The arts: general issues > Forgery, falsification & theft of artworks
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Forged - Why Fakes are the Great Art of Our Age (Hardcover)
Loot Price: R398
Discovery Miles 3 980
You Save: R111
(22%)
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Forged - Why Fakes are the Great Art of Our Age (Hardcover)
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Was R509
Loot Price R398
Discovery Miles 3 980
You Save R111 (22%)
Expected to ship within 12 - 17 working days
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According to Vasari, the young Michelangelo often borrowed drawings
of past masters, which he copied, returning his imitations to the
owners and keeping originals. Half a millennium later, Andy Warhol
made a game of "forging" the Mona Lisa, questioning the entire
concept of originality. Forged explores art forgery from ancient
times to the present. In chapters combining lively biography with
insightful art criticism, Jonathon Keats profiles individual art
forgers and connects their stories to broader themes about the role
of forgeries in society. From the Renaissance master Andrea del
Sarto who faked a Raphael masterpiece at the request of his Medici
patrons, to the Vermeer counterfeiter Han van Meegeren who duped
the avaricious Hermann Goering, to the frustrated British artist
Eric Hebborn, who began forging to expose the ignorance of experts,
art forgers have challenged "legitimate" art in their own time,
breaching accepted practices and upsetting the status quo. They
have also provocatively confronted many of the present-day cultural
anxieties that are major themes in the arts. Keats uncovers what
forgeries-and our reactions to them-reveal about changing
conceptions of creativity, identity, authorship, integrity,
authenticity, success, and how we assign value to works of art. The
book concludes by looking at how artists today have appropriated
many aspects of forgery through such practices as street-art
stenciling and share-and-share-alike licensing, and how these
open-source "copyleft" strategies have the potential to make
legitimate art meaningful again. Forgery has been much
discussed-and decried-as a crime. Forged is the first book to
assess great forgeries as high art in their own right.
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