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Murujuga - Rock Art, Heritage, and Landscape Iconoclasm (Hardcover)
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Murujuga - Rock Art, Heritage, and Landscape Iconoclasm (Hardcover)
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A fascinating case study of the archaeological site at Murujuga,
Australia Located in the Dampier Archipelago of Western Australia,
Murujuga is the single largest archaeological site in the world. It
contains an estimated one million petroglyphs, or rock art motifs,
produced by the Indigenous Australians who have historically
inhabited the archipelago. To date, there has been no comprehensive
survey of the site's petroglyphs or those who created them. Since
the 1960s, regional mining interests have caused significant damage
to this site, destroying an estimated 5 to 25 percent of the
petroglyphs in Murujuga. Today, Murujuga holds the unenviable
status of being one of the most endangered archaeological sites in
the world. Jose Antonio Gonzalez Zarandona provides a full
postcolonial analysis of Murujuga as well as a geographic and
archaeological overview of the site, its ethnohistory, and its
considerable significance to Indigenous groups, before examining
the colonial mistreatment of Murujuga from the seventeenth century
to the present. Drawing on a range of postcolonial perspectives,
Zarandona reads the assaults on the rock art of Murujuga as
instances of what he terms "landscape iconoclasm": the destruction
of art and landscapes central to group identity in pursuit of
ideological, political, and economic dominance. Viewed through the
lens of landscape iconoclasm, the destruction of Murujuga can be
understood as not only the result of economic pressures but also as
a means of reinforcing-through neglect, abandonment, fragmentation,
and even certain practices of heritage preservation-the colonial
legacy in Western Australia. Murujuga provides a case study through
which to examine, and begin to reject, archaeology's global
entanglement with colonial intervention and the politics of
heritage preservation.
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