The malaise of today's "Cultural Studies" is perhaps best
summarized by Picasso (paraphrased) "success can lead to copying
from oneself, and copying from oneself, and that is worse than
copying from others". This book is both a response and an
independent configuration of the dominant, current trend: that is
"cultural studies" known as the Birmingham/U.S. School (B/USS).
Contemporary Cultural Studies leapfrogs the Birmingham/U.S. School
of "future self-clarification." The fundamental conceptual,
mythological and philosophical problematics have been worked over
the last 40-plus years in the United States in advance of the
current self-clarificaion exercises. Surprisingly, the genesis of
U.S. Contemporary Cultural Studies is in Continental philosophy,
not unlike the genesis of the Birmingham/U.S. School. This book
discusses some procedural questions and practical features relevant
to theory and research practice in social science and humanities
from the standpoint of phenomenology.
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