With this book, Joseph Kerman establishes the place of music study
firmly in the mainstream of modern intellectual history. He treats
not only the study of the history of Western art music-with which
musicology is traditionally equated-but also sometimes vexed
relations between music history and other fields: music theory and
analysis, ethnomusicology, and music criticism. Kerman sees and
applauds a change in the study of music toward a critical
orientation. As examples, he presents fascinating vignettes of Bach
research in the 1950s and Beethoven studies in the 1960s. He
sketches the work of prominent scholars and theorists: Thurston
Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Milton
Babbit, and many others. And he comments on such various subjects
as the amazing absorption of Stephen Foster's songs into the canons
of "black" music, the new intensity of Verdi research,
controversies about performance on historical instruments, and the
merits and demerits of The New Grove Dictionary of Music and
Musicians. Contemplating Music is filled with wisdom and trenchant
commentary. It will spark controversy among musicologists of all
stripes and will give many musicians and amateurs an entirely new
perspective on the world of music.
General
Imprint: |
Harvard University Press
|
Country of origin: |
United States |
Release date: |
2004 |
First published: |
March 1986 |
Authors: |
Joseph Kerman
|
Dimensions: |
229 x 152 x 16mm (L x W x T) |
Format: |
Paperback
|
Pages: |
256 |
ISBN-13: |
978-0-674-16678-3 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-674-16678-7 |
Barcode: |
9780674166783 |
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