Joe Henderson offers a critique of the assumption that poetic form
in the book of Jeremiah indicates authenticity. This assumption
undergirds Bernhard Duhm's reconstructions (1901) of the prophet's
biography and the book's composition, the basic components of the
dominant paradigm for twentieth-century Jeremiah scholarship.
Henderson argues that Duhm's model is best understood as an attempt
to bring the book into conformity with nineteenth-century systems
of aesthetics, historiography, and theology-and with the Grafian
reconstruction of the history of Israel's religion. The accord
between these systems and Duhm's assumption about poetic form has
less to do with their common grasp of the historical reality of
Hebrew prophecy than with their common roots in the Romantic theory
of prophetic and poetic inspiration-a theory forged by Robert Lowth
in his exposition (1752) of the poetry he found in the prophetic
books. Henderson contends that continued adherence to Duhm's
foundational assumption has held back recent attempts to "move
beyond Duhm" and overcome the fragmentation of the book entailed by
his model. Rhetorical critics, who maintain that Jeremiah 2-10 is
unified by the structural devices of the historical prophet, and
redaction critics, who maintain that Jeremiah 11-20 is unified by
the theological agenda of Deuteronomistic editors, both rely on the
assumed authenticity of the poetry. Henderson observes that
although these scholars have uncovered evidence of dramatic
presentation in Jeremiah 2-20, they have failed to see that the
dramatic nature of these chapters undermines their use for Duhm's
historical-critical projects and reveals what actually unifies
them-narrative progression.
General
Imprint: |
T. & T. Clark
|
Country of origin: |
United Kingdom |
Release date: |
November 2019 |
Authors: |
Joseph M. Henderson
|
Dimensions: |
234 x 156 x 29mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
400 |
ISBN-13: |
978-0-567-67646-7 |
Categories: |
Books
|
LSN: |
0-567-67646-3 |
Barcode: |
9780567676467 |
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