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Reconceiving Writing, Rethinking Writing Instruction (Paperback)
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Reconceiving Writing, Rethinking Writing Instruction (Paperback)
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To a degree unknown in practically any other discipline, the
pedagogical space afforded composition is the institutional engine
that makes possible all other theoretical and research efforts in
the field of rhetoric and writing. But composition has recently
come under attack from many within the field as fundamentally
misguided. Some of these critics have been labelled "New
Abolitionists" for their insistence that compulsory first-year
writing should be abandoned. Not limiting itself to first-year
writing courses, this book extends and modifies calls for abolition
by taking a closer look at current theoretical and empirical
understandings of what contributors call "general writing skills
instruction" (GWSI): the curriculum which an overwhelming majority
of writing instructors is paid to teach, that practically every
composition textbook is written to support, and the instruction for
which English departments are given resources to deliver.
The vulnerability of GWSI is hardly a secret among writing
professionals and its intellectual fragility has been felt for
years and manifested in several ways:
* in persistently low status of composition as a study both within
and outside of English departments;
* in professional journal articles and conference presentations
that are growing both in theoretical sophistication and irrelevance
to the composition classroom; and
* in the rhetoric and writing field's ever-increasing attention to
nontraditional sites of writing behavior.
But, to date, there has been relatively little concerted
discussion within the writing field that focuses specifically on
the fundamentally awkward relationship of writing theory and
writing instruction.
This volume is the first to explicitly focus on the gap in the
theory and practice that has emerged as a result of the field's
growing professionalization. The essays anthologized offer
critiques of GWSI in light of the discipline's growing
understanding of the contexts for writing and their rhetorical
nature. Writing from a wide range of cognitivist,
critical-theoretical, historical, linguistic and philosophical
perspectives, contributors call into serious question basic tenets
of contemporary writing instruction and provide a forum for
articulating a sort of "zeitgeist" that seems to permeate many
writing conferences, but which has, until recently, not found a
voice or a name.
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