A continuation of Josephine Donovan's exploration of American
women's literary traditions, begun with New England Local Color
Literature: A Women's Tradition, which treats the
nineteenth-century realists, this work analyzes the writing of
major women writers of the early twentieth century--Edith Wharton,
Willa Cather, and Ellen Glasgow.
The author sees the Demeter-Persephone myth as central to these
writers' thematics, but interprets the myth in terms of the
historical transitions taking place in turn-of-the-century America.
Donovan focuses on the changing relationship between mothers and
daughters--in particular upon the "new women's" rebellion against
the traditional women's culture of their nineteenth-century mothers
(both literary and literal). An introductory chapter traces the
male-supremacist ideologies that formed the intellectual climate in
which these women wrote.
Reorienting Wharton, Cather, and Glasgow within women's literary
traditions produces major reinterpretations of their works,
including such masterpieces as Ethan Frome, Summer, My Antonia,
Barren Ground, and others.
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