While most discussions of race in American theater emphasize the
representation of race mainly in terms of character, plot, and
action, Race in American Musical Theater highlights elements of
theatrical production and reception that are particular to musical
theater. Examining how race functions through the recurrence of
particular racial stereotypes and storylines, this introductory
volume also looks at casting practices, the history of the chorus
line, and the popularity of recent shows such as Hamilton. Moving
from key examples such as Show Boat! and South Pacific through to
all-Black musicals such as Dreamgirls, Bring in ‘da Noise, Bring
in ‘da Funk, and Jelly’s Last Jam, this concise study serves as
a critical survey of how race is presented in the American musical
theater canon. Providing readers with historical background, a
range of case studies and models of critical analysis, this
foundational book prompts questions from how stereotypes persist to
“who tells your story?â€
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