In To World, poems interrogate everything: nature, society, and
thought itself, with no prejudice or even principle. In other
words, they don't follow any rule, tradition, or discipline; they
are decidedly critical. Thought is not reduced to philosophical,
ethical, religious, political, or aesthetic interpretations.
Rather, we are before thought in its totality, unwilling to
recognize borders - although never in a pure state, not falling
into speculation, into thinking just for thinking's sake. Thought
is always related to experience, both personal and collective, and
above all, emotion. It never once stops being thought through
image, that is to say, lyrical. This poetry speaks of poetry; it
takes it all on: the objective and subjective, the real and
imagined, I and other. It ventures into virgin territory, on the
outskirts of romanticism, realism, symbolism, and the avant-garde.
Always a model of rebelliousness and freedom, a lesson in devotion
and rigor, Gelman's work places him among today's best poets.
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