Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Different Views in Hudson River School Painting (Paperback)
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Different Views in Hudson River School Painting (Paperback)
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Hudson River School artists shared an awe of the magnificence of
nature as well as a belief that the untamed American scenery
reflected the national character. In this new work, color
reproductions of more than 115 paintings capture the beauty and
illuminate the aesthetic and philosophical principles of the Hudson
River School painters. The pieces included in this volume reflect a
period (1825-1875) when American landscape painting was most
thoroughly explored and formalized with personal, artistic,
cultural, and national identifications. Judith Hansen O'Toole
reveals the subtleties and quiet majesty of the works and discusses
their shared iconography, the ways in which artists responded to
one another's paintings, and how the paintings reflected
nineteenth-century American cultural, intellectual, and social
milieus. Different Views is also the first major study to examine
closely the Hudson River School artists' practice of creating
thematically related pairs and series of paintings. O'Toole
considers painters' use of this method to express different moods
and philosophical concepts. She observes artists' representations
of landscape and their nuanced depictions of weather, light, and
season. By comparing and contrasting Hudson River School paintings,
O'Toole reveals differences in meaning, emotion, and cultural
connotation. Different Views in Hudson River School Painting
contains reproductions of works from a range of prominent and
lesser-known artists, including Jasper Francis Cropsey, Sanford
Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert
Bierstadt, John Frederic Kensett, and John William Casilear. The
works come from a leading private collection and were recently
exhibited at the Westmoreland Museum of American Art.
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