Judith Wright (1915-2000) is one of Australia's best loved, and
essential, poets, devoted to place, responsive to landscape and to
the violence done to the land and its inhabitants. As John Kinsella
writes in his introduction, 'she looked inwards into Australia, and
in doing so made the local...universal'. A Human Pattern, a
selected poems she prepared after she had abandoned writing poetry
in order to devote her time to fighting for Aboriginal rights and
conservation, presents her best work from 1946 to her last
collection, Phantom Dwelling (1986). Australia, alive with human
and natural history, is vibrant in this selection. She is, John
Kinsella writes, 'a poet of human contact with the land'. She
speaks directly to our perennial concerns.
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