Cutting across academic boundaries, this volume brings together
scholars from different disciplines who have explored together the
richness and complexity of colonial-era Caribbean theatre. The
volume offers a series of original essays that showcase individual
expertise in light of broader group discussions. Asking how we can
research effectively and write responsibly about colonial-era
Caribbean theatre today, our primary concern is methodology. Key
questions are examined via new research into individual case
studies on topics ranging from Cuban blackface, commedia
dell’arte in Suriname and Jamaican oratorio to travelling
performers and the influence of the military and of enslaved people
on theatre in Saint-Domingue. Specifically, we ask what particular
methodological challenges we as scholars of colonial-era Caribbean
theatre face and what methodological solutions we can find to meet
those challenges. Areas addressed include our linguistic
limitations in the face of Caribbean multilingualism; issues raised
by national, geographical or imperial approaches to the field; the
vexed relationship between metropole and colony; and, crucially,
gaps in the archive. We also ask what implications our findings
have for theatre performance today – a question that has led to
the creation of a new work set in a colonial theatre and outlined
in the volume’s concluding chapter.
General
Imprint: |
Liverpool University Press
|
Country of origin: |
United Kingdom |
Release date: |
November 2023 |
Editors: |
Julia Prest
|
Dimensions: |
239 x 163mm (L x W) |
Pages: |
256 |
ISBN-13: |
978-1-83764-503-9 |
Categories: |
Books
Promotions
|
LSN: |
1-83764-503-5 |
Barcode: |
9781837645039 |
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