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Read Chapter 1.
"An important contribution to our understanding of the talkshow
genre and its cultural political funtion."
-- "American Journal of Sociology"
"A wide-ranging exploration of some key theoretical issues in
cultural sociology centerting on subjectivity, sense-making, and
cultural heirarchy."
--"Contemporary Sociology"
"A cogent analysis of our culture."
--"The Times"
When "The Phil Donahue Show" topped the ratings in 1979, it
ushered in a new era in daytime television. Mixing controversial
social issues, light topics, and audience participation, it created
a new genre, one that is still flourishing, despite being harshly
criticized, over two decades later. Now, the daytime TV landscape
is littered with talk shows. But why do people watch these shows?
How do they make sense of them? And how do these shows affect their
viewers' sense of what constitutes appropriate public debate?
In Talking Trash, Julie Engel Manga offers a fascinating
exploration of these questions and reveals the wide range of
reasons viewers are drawn to "trash talk." Focusing on such shows
as "Oprah!, Jerry Springer, Ricki Lake, Jenny Jones," and "Maury
Povitch," and drawing upon interviews with women who watch these
shows, Talking Trash is the first examination of the talk show
phenomenon from the viewers' perspective. In taking this approach,
Manga is able to understand what talk shows mean to the women who
watch them. And by refusing to judge either the shows or their
viewers as good or bad, she is able to grasp how viewers relate to
these shows-as escape, entertainment, uninhibited public discourse,
or an accurate reflection of their ownhardships and heartaches.
Manga concludes that while the form of "trash-talk" shows may be
relatively new, the socio-cultural experience they embody has been
with us for a long time.
Absorbing, entertaining, and keenly perceptive, Talking Trash
illuminates the complex viewer response to "trash talk" and
examines the cultural politics surrounding this wildly
controversial popular phenomenon.
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