This is the first comprehensive English-language account of the
Polish avant-garde film, from its beginnings in the early decades
of the last century to the collapse of communism in 1989. Taking a
broad understanding of avant-garde film, this collection includes
writings on the pioneering work of the internationally-acclaimed
Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek,
Anatol Stern) engagement with film; the Thaw and animation (Jan
Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew
Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz,
Wojciech Wiszniewski), Polish ?migr? filmmakers (Roman Polanski,
Jerzy Skolimowski, Andrzej Zulawski) as well as essays and
documentation on the highly influential Film Form Workshop (J?zef
Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of
historical writings from early film magazines with commissioned
essays, this book constitutes an important source on the rich,
complex and diverse history of the Polish film avant-garde, which
is presented from the perspective of both British (A. L. Rees,
Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard
Kluszczynski, Kamila Kuc) authorities on the subject. This book is
thus an indispensable introduction to the theories and practices of
critically important avant-garde artists and filmmakers.
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