The relationship between books and film has been one of the key
topics of cinema studies. Much of this criticism, however, has been
inherited from eighteenth-century debates on poetry and painting
and thus has fostered false and limiting paradigms in which words
and pictures are opposed. Rethinking the Novel/Film Debate
historicizes and critiques the central paradigms of this debate.
Testing theory against practice, and uncovering the hidden agendas,
Kamilla Elliot creates alternative critical models that can be
applied to the novel/film issue in an effort to transform the field
for future inquiry. In the process, she mounts a major critique of
novel theory and film history and theory, demonstrating how
rivalries have shaped and falsified each discipline when considered
separately.
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