Kari Weil provides a critical introduction to the field of
animal studies as well as an appreciation of its thrilling acts of
destabilization. Examining real and imagined confrontations between
human and nonhuman animals, she charts the presumed lines of
difference between human beings and other species and the personal,
ethical, and political implications of those boundaries.
Weil's considerations recast the work of such authors as Kafka,
Mann, Woolf, and Coetzee, and such philosophers as Nietzsche,
Heidegger, Derrida, Deleuze, Agamben, Cixous, and Hearne, while
incorporating the aesthetic perspectives of such visual artists as
Bill Viola, Frank Noelker, and Sam Taylor-Wood and the "visual
thinking" of the autistic animal scientist Temple Grandin. She
addresses theories of pet keeping and domestication; the importance
of animal agency; the intersection of animal studies, disability
studies, and ethics; and the role of gender, shame, love, and grief
in shaping our attitudes toward animals. Exposing humanism's
conception of the human as a biased illusion, and embracing
posthumanism's acceptance of human and animal entanglement, Weil
unseats the comfortable assumptions of humanist thought and its
species-specific distinctions.
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