Genres of critique seeks to open and explore the liminal space of
critique at the intersection of law, aesthetics and politics. The
essays in this volume elaborate and expand the meaning and
significance of critique through an engagement with aesthetic
forms. Although this endeavour has wider significance, the focus is
primarily on South Africa. The various contributions arose out of a
process of reading, writing and discussion among visiting scholars
at the Stellenbosch Institute for Advanced Study (STIAS),
Stellenbosch University, South Africa, in 2010. The project
responds to the limits of the transplantation of critical legal
studies into different jurisdictions, especially South Africa. The
essays develop an approach to critical legal thinking that is
conscious of critique as a problem of genre and seek to open up
this problem of genre in the context of critical legal studies.
General
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