Books > Social sciences > Psychology > The self, ego, identity, personality
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Concepts Of Identity - Historical And Contemporary Images And Portraits Of Self And Family (Paperback, Revised)
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Concepts Of Identity - Historical And Contemporary Images And Portraits Of Self And Family (Paperback, Revised)
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This earnest art-history slide lecture offers no compelling thesis
to unite the many images of self and family that are examined.
Asserting that we look at portraits of others in order to learn
about ourselves, Hoffman (Art History/St. Anselm College) declares
that the point of this brisk walking tour of images throughout
history is to stir the reader to some greater awareness of one's
family and one's self. She points out Hellenistic portraiture's
emphasis on the soul, the Roman linking of the family to power and
the economy, the resurrection of personality (along with
perspective) during the Renaissance, when man replaced God as the
focus of civilization. During the Enlightenment, she asserts,
public life became preeminent and "portraits or scenes of the
family served to maintain that connection." She traces the impact
of the birth of photography on depictions of family life and the
rise of the ubiquitous family photo album. Positive images of the
family produced in both Hitler's Germany and in post-WW II America
provide the only thread of consistency here, underlining the
contradiction inherent in the propagandistic image of the united
family and its unvarnished reality: In ancient Rome, for example,
there were numerous childless marriages and divorce was prevalent,
just as the happy American family of the 1950s concealed unrest and
unhappiness. While Hoffman offers careful readings of individual
works, setting them within the context of their times, her
narrative never seems to draw any overarching revelations from
these paintings and photographs: One closes the book having learned
little about one's own identity and about where the family may be
heading. A soothing read, this book would sound better in a headset
at the museum, where we would be able to better view the selected
images. (Kirkus Reviews)
Concepts of identity are complex and changing, and in this book
Katherine Hoffman examines images of individuals and families from
ancient Egypt to the present--more than two thirds of the book
covers the twentieth century. Through a comprehensive study of
paintings, sculpture, photography, film, television, and other
media, Hoffman provides eye-opening insights on the identity of
family and self through time and explores what these images say
about the attitudes and values of a particular culture.Concepts of
identity and self as individuals and families are complex and
changing, but images from the artist, the photographer, the
filmmaker, and TV producer can help us discover where we came from,
who we are and why, and where we are in the maze of postmodern
life. Katherine Hoffman explores portraits and images from ancient
Egypt to the present--more than two-thirds of the book covers the
twentieth century, including images from art, photography, film,
TV, and other media. The 75 illustrations are integrated with the
text.
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