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Ephrem the Syrian - Hymns (Paperback, New)
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Ephrem the Syrian - Hymns (Paperback, New)
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"...a milestone in American religious publishing." New Catholic
World Ephrem the Syrian: Hymns translated and introduced by
Kathleen E. McVey preface by John Meyendorff "Blessed be the Child
who today delights Bethlehem. Blessed be the Newborn Who today made
the humanity young again. Blessed be the Fruit Who Bowed Himself
down for our hunger. Blessed be the Gracious One Who suddenly
enriched all of our poverty and filled our need." Ephrem the Syrian
(c.306-373) Ephrem was born in the Mesopotamian city of Nisibis
toward the end of the third century. An outpost of the Roman
Empire, Nisibis and its Christian citizens were to be formed by the
reign of Constantine and by the doctrines of the Council of Nicea.
There, in the context of a large and sophisticated Jewish
population and numerous Gnostic sects, Ephrem sought to defend
orthodox Nicene Christianity. His teaching and writing made him an
influential voice in the life of Syriac Christianity through the
peaceful years of Constantine's patronage, the years of persecution
after 361 under Emperor Julian, and the conflict between Persians
and Romans which ultimately forced Ephrem to move to Edessa where
he stayed until his death in 373. It was as a poet that Ephrem made
his greatest impact. Writing in isosyllabic verses called madrashe,
he attained a literary brilliance that won him a place of
prominence not only in his own tradition, but also in the Coptic,
Ethiopian, Armenian, and Arabic traditions as well. His hymns,
praised in the West by Jerome, had a formative influence on the
development of medieval religious drama in Europe. Blending Greek
forms with his native style, he wove a highly crafted poetry of
rich symbolism, attempting to fit the events of his day into a
cosmic framework of God's redemptive act in Christ. Ephrem's
combination of elements of Stoicism and Middle Platonism with
Christian belief in a form reminiscent of the great second century
apologists produced a corpus that speaks of his own literary genius
and even more eloquently of the majesty and beauty of the divine
source of all true poetry. Here, in a fresh and lively translation,
are the Hymns on the Nativity, Hymns Against Julian, and the Hymns
on Virginity and the Symbols of the Lord in which that voice may be
heard closely and appreciated, wondered at, and enjoyed.
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