How does one capture the delightful irony of Edith Wharton's
prose or the spare lyricism of Kate Chopin's? Kathleen Wheeler
challenges the reader to experiment with a more imaginative method
of literary criticism in order to comprehend more fully writers of
the Modernist and late Realist period. In examining the creative
works of seven women writers from the late nineteenth and early
twentieth centuries, Wheeler never lets the mystery and magic of
literature be overcome by dry critical analysis.
"Modernist Women Writers and Narrative Art" begins by evaluating
how Edith Wharton, Kate Chopin, and Willa Cather all engaged in an
ironic critique of realism. They explored the inadequacies of this
form in expressing human experience and revealed its hidden, often
contradictory, assumptions. Building on the foundation that
Wharton, Chopin, and Cather established, Jean Rhys, Katherine
Mansfield, Stevie Smith, and Jane Bowles brought literature into
the era we now consider modernism. Drawing on insights from
feminist theory, deconstructionism and revisions of new
historicism, Kathleen Wheeler reveals a literary tradition rich in
narrative strategy and stylistic sophistication.
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