Wheeler's poems project a multidirectional sensuality that evokes
celestial contact from the vantage point of a clever pragmatic
observer of life. Sacred and profane passions are infused in the
body, the lover, the forest, the city and the deadening work day.
Selections such as "Anchor Me" build the tension between grounding
and floating, that develop throughout the work as fear and action,
repression and exposure. We sense everyday sounds, sights, and
smells, the ecstasy of past lives and yet to be identified lovers
in our midst. Rather than resolve these tensions, where "the point
and counterpoint are] seeking a tipping point," Wheeler allows her
reader to revel in this "Immaculate Chaos," the final poem and the
title of the work. She reminds us to love deeply through our
suffering and to trust our intuitions and desires as a way to honor
the inherent spirituality in human existence.
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