Music in the Western: Notes from the Frontier presents essays
from both film studies scholars and musicologists on core issues in
western film scores: their history, their generic conventions,
their operation as part of a narrative system, their functioning
within individual filmic texts and their ideological import,
especially in terms of the western s construction of gender,
sexuality, race and ethnicity. The Hollywood western is marked as
uniquely American by its geographic setting, prototypical male
protagonist and core American values. Music in the Western examines
these conventions and the scores that have shaped them. But the
western also had a resounding international impact, from Europe to
Asia, and this volume distinguishes itself by its careful
consideration of music in non-Hollywood westerns, such as Ravenous
and The Good, the Bad, and the Ugly and in the easterns which
influenced them, such as Yojimbo. Other films discussed include
Wagon Master, High Noon, Calamity Jane, The Big Country, The
Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country
for Old Men.
Contributors
Ross Care
Corey K. Creekmur
Yuna de Lannoy
K. J. Donnelly
Caryl Flinn
Claudia Gorbman
Kathryn Kalinak
Charles Leinberger
Matthew McDonald
Peter Stanfield
Mariana Whitmer
Ben Winters
The Routledge Music and Screen Media Series offers edited
collections of original essays on music in particular genres of
cinema, television, video games and new media. These edited essay
collections are written for an interdisciplinary audience of
students and scholars of music and film and media studies.
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