For twenty-five years, Kathryn S. March has collected the life
stories of the women of a Buddhist Tamang farming community in
Nepal. In If Each Comes Halfway, she shows the process by which she
and Tamang women reached across their cultural differences to find
common ground. March allows the women's own words to paint a vivid
portrait of their highland home. Because Tamang women frequently
told their stories by singing poetic songs in the middle of their
conversations with March, each book includes a CD of traditional
songs not recorded elsewhere. Striking photographs of the Tamang
people accent the book's written accounts and the CD's musical
examples. In conversation and song, the Tamang open their sem their
"hearts-and-minds" as they address a broad range of topics: life in
extended households, women's property issues, wage employment and
out-migration, sexism, and troubled relations with other ethnic
groups. Young women reflect on uncertainties. Middle-aged women
discuss obligations. Older women speak poignantly, and bluntly,
about weariness and waiting to die. The goal of March's approach to
ethnography is to place Tamang women in control of how their
stories are told and allow an unusually intimate glimpse into their
world."
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