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Icons and Iconoclasm in Japanese Buddhism - Kukai and Dogen on the Art of Enlightenment (Hardcover, New)
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Icons and Iconoclasm in Japanese Buddhism - Kukai and Dogen on the Art of Enlightenment (Hardcover, New)
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Pamela D. Winfield offers a fascinating juxtaposition and
comparison of the thoughts of two pre-modern Japanese Buddhist
masters on the role of imagery in the enlightenment experience.
Kukai (774-835) believed that real and imagined forms were
indispensable to his new esoteric Mikkyo method for ''becoming a
Buddha in this very body'' (sokushin jobutsu), yet he deconstructed
the significance of such imagery in his poetic and doctrinal works.
Conversely, Dogen (1200-1253) believed that ''just sitting'' in Zen
meditation without any visual props or mental elaborations could
lead one to realize that ''this very mind is Buddha'' (sokushin
zebutsu), but he too privileged select Zen icons as worthy of
veneration. In considering the nuanced views of Kukai and Dogen,
Icons and Iconoclasm in Japanese Buddhism updates previous
comparisons of their oeuvres and engages their texts and images
together for the first time in two decades. Winfield liberates them
from sectarian scholarship, which has long pigeon-holed them into
iconographic/ritual vs. philological/philosophical categories, and
restores the historical symbiosis between religious thought and
artistic expression that was lost in the nineteenth-century
disciplinary distinction between religious studies and art history.
Winfield breaks new methodological ground by proposing space and
time as organizing principles for analyzing both meditative
experience as well as visual/material culture and presents a wider
vision of how Japanese Buddhists themselves understood the role of
imagery before, during, and after awakening.
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