Thomas Lux selected this debut collection as winner of BOA's A.
Poulin, Jr., Poetry Prize. In his foreword he writes, "I was
immediately struck by the boldness of imagination, the strange
cadences, and wild music of these poems. We should be glad that
young poets like Keetje Kuipers are making their voices heard not
by tearing up the old language but by making the old language
new."
Keetje Kuipers, a native of the Northwest, earned her BA at
Swarthmore College and MFA at the University of Oregon. A Stegner
Fellow at Stanford University, she divides her time between
Stanford and Missoula, Montana.
From Devils Lake Journal:
"Keetje Kuipers' "Beautiful in the Mouth" is at once lovely, frank,
and haunting. The poems move easily between landscapes, inhabiting
the American west, Paris, and New York City with equal ease and
yet, they never exploit sympathies of locale for their power.
Instead, they rely on nothing but the speaker's own candor, who is
able to speak through such disparate poems as "Bondage Play as
Substitue for Prayer" alongside "Waltz of the Midnight
Miscarriage," "Reading Sappho in a Wine Bar," and "Barn Elegy" with
a good spattering of honest-to-goodness sonnets."
From ForeWord Reviews:
"The poems move like ghosts themselves: disappearing into walls,
circling back, appearing for a moment to be captured, then
evaporating into thin air. Kuipers pins moments onto the page with
the care of an etymologist collecting rare specimens. Her poems are
at once visceral and cosmic, "a wave as well as a particle.""
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