This book provides a comprehensive introduction to the work of
Robert Bresson, one of the most respected and acclaimed directors
in the history of cinema.. The first monograph on his work to
appear in English for many years dealing not only with his thirteen
feature-length films but also his little-seen early short Affaires
publiques and his short treatise Notes on cinematography.. The
films are considered in chronological order, using a perspective
that draws variously on spectator theory, Catholic mysticism,
gender theory and Lacanian psychoanalysis.. The major critical
responses to his work, from the adulatory to the dismissive, are
summarized and analyzed.. The work includes a full filmography and
a critical bibliography. -- .
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