How does musical harmony engage listeners in relations of desire?
Where does this desire come from? Author Kenneth Smith seeks to
answer these questions by analyzing works from the turn of the
twentieth- century that are both harmonically enriched and
psychologically complex. Desire in Chromatic Harmony yields a new
theory of how chromatic chord progressions direct the listener on
intricate journeys through harmonic space, mirroring the tensions
of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and
Deleuze. Smith extends this mode of enquiry into sophisticated
music theory, while exploring philosophically engaged European and
American composers such as Richard Strauss, Alexander Skryabin,
Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and
chord progression, the book drills down into the diatonic
undercurrent beneath densely chromatic and dissonant surfaces. From
the obsession with death and mourning in Suk's asrael Symphony to
an exploration of "perversion" in Strauss's elektra; from the Sufi
mysticism of Szymanowski's Song of the Night to the failed fantasy
of the American dream in Copland's The Tender Land, Desire in
Chromatic Harmony cuts a path through the dense forests of
chromatic complexity, revealing the psychological make-up of
post-Wagnerian psychodynamic music.
General
Imprint: |
Oxford UniversityPress
|
Country of origin: |
United States |
Series: |
Oxford Studies in Music Theory |
Release date: |
October 2023 |
Authors: |
Kenneth M. Smith
(Professor of Music Theory)
|
Dimensions: |
235 x 156mm (L x W) |
Pages: |
360 |
ISBN-13: |
978-0-19-775220-3 |
Categories: |
Books
|
LSN: |
0-19-775220-9 |
Barcode: |
9780197752203 |
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