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Light (Paperback)
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Light (Paperback)
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Light has been an enduring subject in art. In every conceivable
media, artists have exploited the contrasts between light and dark,
opposed cool and warm colours, drawn on science, and attempted to
capture the transient effects of light and its emotional
associations. This book explores how artists have perceived,
illustrated and utilised light since the eighteenth century.
Beginning with the British artist J.M.W. Turner (1775–1851) who
captured triumphant explosions of light and sought to represent its
ephemerality in paint, it reveals how his expressive use of colour
and interest in evanescent light influenced the French
Impressionists. For them, light became the subject itself, as the
likes of Claude Monet (1840–1926), Pierre-Auguste Renoir
(1841–1919), Alfred Sisley (1839–99) and others ventured
outside to capture the momentary effects of sunlight on canvas.
Exploring later innovations in photographic processes, the book
also highlights how photography became a critical vehicle through
which artists began to use light itself as a medium, eschewing
subject matter to create photographs that more closely resembled
moving abstractions than still images. While early art-historical
associations with light tend to be sublime or spiritual, by the
1960s artists including Dan Flavin (1933–96), James Turrell
(1943) and Lis Rhodes (1942–) had begun to work with artificial
light to create new types of sculptures and immersive
installations, repositioning the spectator as participant. Many
artists like Olafur Eliasson (1967–) and Tacita Dean (1965–)
continue to work with light, encouraging viewers to question their
own positions and perspectives. Showcasing over 100 remarkable
artworks from the past 200 years, this beautiful book reveals how
the intangibility of light continues to fascinate.
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