This volume is the first to bring together music scholars
working on Baltic topics from throughout Europe, North America, and
the Middle East for the purpose of exploring the impact of Nazi and
Soviet occupation (1940-91) and the restoration of republican
independence upon the production of musicological knowledge in and
about the Baltic States of Lithuania, Latvia, and Estonia. Its
collected essays sketch, for the first time, post-Soviet histories
of the sociological dimensions of music study in the region, and
examine methodological and ethical problems raised by music
scholarship. They shed new light on such topics as the advent of
Lithuanian musical modernism, the ecumenicity of Christian musics
in Estonia, and the effects of Soviet nationalities policy upon the
Latvian musicological discourse. Together, they confront those
aspects of Baltic music study that still bear the marks of the Nazi
and Soviet experience, and they suggest ways in which the turbulent
cultural and political histories of the region might be negotiated
by scholars presently active in the field.
This book was published as a special issue of the Journal of
Baltic Studies.
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