This book argues that the theory of force elaborated in Immanuel
Kant's aesthetics (and in particular, his theorization of the
dynamic sublime) is of decisive importance to poetry in the
nineteenth century and to the connection between poetry and
philosophy over the last two centuries. Inspired by his deep
engagement with the critical theory of Walter Benjamin, who
especially developed this Kantian strain of thinking, Kevin
McLaughlin uses this theory of force to illuminate the work of
three of the most influential nineteenth-century writers in their
respective national traditions: Friedrich Hoelderlin, Charles
Baudelaire, and Matthew Arnold. The result is a fine elucidation of
Kantian theory and a fresh account of poetic language and its
aesthetic, ethical, and political possibilities.
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