Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Conceptual art
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Situation Aesthetics - The Work of Michael Asher (Paperback)
Loot Price: R868
Discovery Miles 8 680
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Situation Aesthetics - The Work of Michael Asher (Paperback)
Series: The MIT Press
Expected to ship within 10 - 15 working days
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The first book-length study of this influential artist's work,
focusing on the participatory role of the human subject rather than
the art object. Michael Asher doesn't make typical installations.
Instead, he extracts his art from the institutions in which it is
shown, culling it from collections, histories, or museums' own
walls. Since the late 1960s, Asher has been creating situations
that have not only taught us about the conditions and contexts of
contemporary art, but have worked to define it. In Situation
Aesthetics, Kirsi Peltomaki examines Asher's practice by analyzing
the social situations that the artist constructs in his work for
viewers, participants, and institutional representatives (including
gallery directors, curators, and other museum staff members).
Drawing on art criticism, the reports of viewers and participants
in Asher's projects, and the artist's own archives, Peltomaki
offers a comprehensive account of Asher's work over the past four
decades. Because of the intensely site-specific nature of this
work, as well as the artist's refusal to reconstruct past works or
mount retrospectives, many of the projects Peltomaki discusses are
described here for the first time. By emphasizing the social and
psychological sites of art rather than the production of autonomous
art objects, Peltomaki argues, Asher constructs experientially
complex situations that profoundly affect those who encounter them,
bringing about both personal and institutional transformation.
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