How can we rethink the importance of voice in performance? How can
we understand voice simultaneously as music and text, as sound and
body, or as both personal and political? This book explores voice
across genres, media and cultures, inviting the reader to reassess
established ways of analysing, enjoying and listening to voice.
Using a wide range of case studies integrated with critical and
philosophical frameworks, it makes audible the multiple ways in
which voice contributes to how we perform identities. From opera
and musical theatre to live art and immersive audio walks,
Konstantinos Thomaidis presents voice as plural, elusive and ripe
for reinvention.
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