How do cinematic portrayals of the weather reflect and affect
our experience of the world? While weatherly predictability and
surprise can impact our daily experience, the history of cinema
attests to the stylistic and narrative significance of snow, rain,
wind, sunshine, clouds, and skies. Through analysis of films
ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from
Citizen Kane to In the Mood for Love, Kristi McKim calls our
attention to the ways that we read our atmospheres both within and
beyond the movies.
Building upon meteorological definitions of weather's dynamism
and volatility, this book shows how film weather can reveal
character interiority, accelerate plot development, inspire
stylistic innovation, comprise a momentary attraction, convey the
passage of time, and idealize the world at its greatest
meaning-making capacity (unlike our weather, film weather always
happens on time, whether for tumultuous, romantic, violent,
suspenseful, or melodramatic ends).
Akin to cinema's structuring of ephemera, cinematic weather
suggests aesthetic control over what is fleeting, contingent,
wildly environmental, and beyond human capacity to tame. This first
book-length study of such a meteorological and cinematic affinity
casts film weather as a means of artfully and mechanically
conquering contingency through contingency, of taming weather
through a medium itself ephemeral and enduring.
Using film theory, history, formalist/phenomenological analysis,
and eco-criticism, this book casts cinema as weather, insofar as
our skies and screens become readable through our interpretation of
changing phenomena.
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