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Masculine Singular - French New Wave Cinema (Paperback)
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Masculine Singular - French New Wave Cinema (Paperback)
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Masculine Singular is an original interpretation of French New Wave
cinema by one of France's leading feminist film scholars. While
most criticism of the New Wave has concentrated on the filmmakers
and their films, Genevieve Sellier focuses on the social and
cultural turbulence of the cinema's formative years, from 1957 to
1962. The New Wave filmmakers were members of a young generation
emerging on the French cultural scene, eager to acquire sexual and
economic freedom. Almost all of them were men, and they "wrote" in
the masculine first-person singular, often using male protagonists
as stand-ins for themselves. In their films, they explored
relations between men and women, and they expressed ambivalence
about the new liberated woman. Sellier argues that gender relations
and the construction of sexual identities were the primary subject
of New Wave cinema.Sellier draws on sociological surveys, box
office data, and popular magazines of the period, as well as
analyses of specific New Wave films. She examines the development
of the New Wave movement, its sociocultural and economic context,
and the popular and critical reception of such well-known films as
Jules et Jim and Hiroshima mon amour. In light of the filmmakers'
focus on gender relations, Sellier reflects on the careers of New
Wave's iconic female stars, including Jeanne Moreau and Brigitte
Bardot. Sellier's thorough exploration of early New Wave cinema
culminates in her contention that its principal legacy-the triumph
of a certain kind of cinephilic discourse and of an "auteur theory"
recognizing the director as artist-came at a steep price:
creativity was reduced to a formalist game, and affirmation of New
Wave cinema's modernity was accompanied by an association of
creativity with masculinity.
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