"This is an indispensable piece of living history, documenting an
absolutely crucial moment in the development of 21st century music.
For many of these pieces and composers, Gann's discussion is the
only record we have. The criticism is at the highest level: careful
yet uncompromising, historically informed, erudite, and
well-expressed."--Robert Fink, University of California, Los
Angeles
"A highly intelligent and vividly engaged depiction of the new
music scene over the last several years. The music Gann discusses
is some of the most important being produced today, as well as the
least attended to by scholars and the media. The 'you are there'
feel of these articles conveys the intellectual and artistic rigor
behind the music, as well as the passion and commitment of its
makers. The writing is polemical, emotional, advocatory; Gann is
often provocative, and always honest and forceful."--Evan Ziporyn,
Professor, Massachusetts Institute of Technology, Clarinetist and
Composer, Bang On A Can All-stars
"The late 1980s and the 1990s were probably the most contentious
years in the history of American music, especially in New York. The
Soho News had folded. The New York Times had opted out. During this
time, Kyle Gann was consistently the most interesting, reliable and
honest reviewer in all of New York. Everybody read him. Probably
every composer mentioned in this book would want to "correct" what
has been said about her or his music. But you can't argue with
Kyle. His opinions are too deeply felt. He is too well-studied. He
writes too well. And he is too smart."--Robert Ashley, Composer
"No one else could have written this marvelous book. No one else
has been so completelyimmersed in "new music" as has Gann for some
twenty years--and moreover likes it. No other music critic is so
courageous, communicative, compelling, and candid (if now and then
contentious)--or writes such consummately crystalline, convincing
prose. Hurrah! Huzzah!!"--H. Wiley Hitchcock, Distinguished
Professor of Music emeritus, CUNY, and founding director, Institute
for Studies in American Music at Brooklyn College
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Release date: |
February 2006 |
First published: |
February 2006 |
Authors: |
Kyle Gann
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
333 |
ISBN-13: |
978-0-520-22982-2 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-520-22982-7 |
Barcode: |
9780520229822 |
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