This work examines the experiences of African Americans under the
law and how African American culture has fostered a rich tradition
of legal criticism. Moving between novels, music, and visual
culture, the essays present race as a significant factor within
legal discourse. Essays examine rights and sovereignty, violence
and the law, and cultural ownership through the lens of African
American culture. The volume argues that law must understand the
effects of particular decisions and doctrines on African American
life and culture and explores the ways in which African American
cultural production has been largely centered on a critique of law.
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