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Rude Citizenship - Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (Paperback)
Loot Price: R908
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Rude Citizenship - Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (Paperback)
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In this deep dive into the Jamaican music world filled with the
voices of creators, producers, and consumers, Larisa Kingston
Mann-DJ, media law expert, and ethnographer-identifies how a
culture of collaboration lies at the heart of Jamaican creative
practices and legal personhood. In street dances, recording
sessions, and global genres such as the riddim, notions of
originality include reliance on shared knowledge and authorship as
an interactive practice. In this context, musicians, music
producers, and audiences are often resistant to conventional
copyright practices. And this resistance, Mann reveals, goes beyond
cultural concerns. Because many working-class and poor people are
cut off from the full benefits of citizenship on the basis of race,
class, and geography, Jamaican music spaces are an important site
of social commentary and political action in the face of the
state's limited reach and neglect of social services and
infrastructure. Music makers organize performance and commerce in
ways that defy, though not without danger, state ordinances and
intellectual property law and provide poor Jamaicans avenues for
self-expression and self-definition that are closed off to them in
the wider society. In a world shaped by coloniality, how creators
relate to copyright reveals how people will play outside, within,
and through the limits of their marginalization.
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