This study presents a new approach to the theory of Romanticism.
Peer proceeds though key Romantic documents about form and
structure, while displacing and condensing modern scholarly
assumptions that interrupt modern theoretical protocol. A line of
development is suggested, moving from eighteenth-century
explorations in Kant, Fielding, and Diderot, through Schlegelian
Romantic beginnings, and on through Emily Bronte, Pushkin, and the
Romantic Manifesto, culminating in the profound achievement of
Manzoni. Summarizing Romantic narrative implications by looking at
the modern discipline of Comparative Literature, this book
deliberately deforms both our contemporary ideas about Romanticism
as well as our non-Romantic way of teaching it.
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