A post-communist condition has arisen from the fall of the Berlin
Wall and later the Soviet Empire: this book looks at how this
condition has manifested itself globally in the production of
post-communist film. It argues post-communism is a shared
experience on a geopolitical level, unlimited by national state
borders, and examines post-communist cross culturalism and global
totalitarianism within film. The book examines different national
cinemas and dissimilar cinematic modes - from Russian blockbuster
cinema to Chinese independent cinema; from Serbian city films to
revolutionary films of Mozambique - all formulated as within the
postcommunist condition. It considers the postcommunist film in
terms of transnational and World cinema. It covers a wide range of
films from small and independent filmmaking to mainstream, popular
cinema, and explains post-communist signifiers as manifested in
visual culture both inside and outside former, and current,
communist countries.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
