"Lines of the Nation" radically recasts the history of the
Indian railways, which have long been regarded as vectors of
modernity and economic prosperity. From the design of carriages to
the architecture of stations, employment hierarchies, and the
construction of employee housing, Laura Bear explores the new
public spaces and social relationships created by the railway
bureaucracy. She then traces their influence on the formation of
contemporary Indian nationalism, personal sentiments, and popular
memory. Her probing study challenges entrenched beliefs concerning
the institutions of modernity and capitalism by showing that these
rework older idioms of social distinction and are legitimized by
forms of intimate, affective politics.
Drawing on historical and ethnographic research in the company
town at Kharagpur and at the Eastern Railway headquarters in
Kolkata (Calcutta), Bear focuses on how political and domestic
practices among workers became entangled with the moralities and
archival technologies of the railway bureaucracy and illuminates
the impact of this history today. The bureaucracy has played a
pivotal role in the creation of idioms of family history, kinship,
and ethics, and its special categorization of Anglo-Indian workers
still resonates. Anglo-Indians were formed as a separate railway
caste by Raj-era racial employment and housing policies, and other
railway workers continue to see them as remnants of the colonial
past and as a polluting influence.
The experiences of Anglo-Indians, who are at the core of the
ethnography, reveal the consequences of attempts to make political
communities legitimate in family lines and sentiments. Their
situation also compels us to rethink the importance of documentary
practices and nationalism to all family histories and senses of
relatedness. This interdisciplinary anthropological history throws
new light not only on the imperial and national past of South Asia
but also on the moral life of present technologies and economic
institutions.
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