Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > Folk art
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No Idle Hands - The Myths & Meanings of Tramp Art (Hardcover)
Loot Price: R1,473
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No Idle Hands - The Myths & Meanings of Tramp Art (Hardcover)
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Tramp art describes a particular type of wood carving practiced in
the United States and Europe between the 1880s and 1940s in which
discarded cigar boxes and fruit crates were notched and layered to
make a variety of domestic objects. These were primarily boxes and
frames in addition to small private altars, crosses, wall pockets,
clock cases, plant stands, and even furniture. Whittling objects
such as chains and ball-in-cage whimsies was a common hobby --
including among rail-riding hobos -- and for many years tramp art
was believed to have been made by these itinerants as well.
Although this notion has been widely dispelled, the name has stuck.
In recent years efforts have been made to identify makers by name
and reveal their stories. While some examples of tramp art may be
attributed to itinerants, this carving style was more commonly a
practice of working-class men creating functional objects for their
households. The book presents over one hundred and fifty tramp art
objects collected mainly from the United States and also including
pieces from France, Germany, Switzerland, Scandinavia, Canada,
Mexico, and Brazil -- demonstrating the far reach this art form has
had. It includes works by contemporary artists, thus establishing
tramp art as an ongoing folk art form rather than a vestige of the
past. The pieces reproduced here reveal an artistic and intricate
sensibility applied to each handcrafted piece. Essays consider
assumptions about tramp art related to class, quality, and the
anonymity of its makers and examine this practice through the lens
of home and family while tracing its relationship to the tobacco
industry. The book will cultivate an appreciation of an art form
that is as thought-provoking as it is enduring.
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