This volume brings to an end the transcription and historical
description of items from the Court Entertainment Music of the Tang
found in two collections of zither and lute scores from the end of
the twelfth century. They are from two mode-key groups:
twenty-three in the mode-key Ichikotsu-cho and eight in Sada-cho.
Of particular interest is a tune that fits a birthplace-ode by the
Taizong Emperor, composed in 632, and also music for a collective
spear-throwing exercise and a piece perhaps imitating calls between
sexual partners in a flock of geese. Important appendices discuss
stylistic differences between music of the Tang and imitative
Japanese compositions; relationships between Tang compositions with
noble and military associations; and evidence of inter-relatedness
between movements in suites from the Tang.
General
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