The book deals with Piero's Arezzo frescoes, explaining their
unprecedented iconography and arrangement from the point of view of
liturgy in the Eastern and Western Churches at a time when efforts
to repair the schism were underway. It also discusses visual
parallelism, the inclusion of the Annunciation, the meaning of the
pilaster figures, and the relevance of the Crusades, all of which
inform the artist's iconography.
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